Collage, as if it were one more brushstroke, is integrated into her painting. The use of numbers, phrases, and loose letters collected from newspapers, bring us back to her graphic design influences.
Color is fundamental to Regina’s work: emphatic, vibrant, vital. She uses clean and bright hues to express her emotions.
“Whenever I paint something, the situation I am living in at that moment unconsciously comes out. When I was pregnant, I focused on food and tables. Those works were then exhibited as a collection in Japan. I am also surrounded by designs, models and all kinds of chairs that my husband Pete Sans creates. I felt inspired and started painting objects and furniture. Every day rural life has been turned into still life paintings”.